WIT Studio admits to using AI in Ascendance of a Bookworm and promises to fix it

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The clinical eye of the otaku community on social networks is absolutely unforgiving, and this time they managed to catch a production error that has shaken one of the largest studios in Japan. WIT Studio had to publicly apologize this Friday after fans discovered the obvious use of generative artificial intelligence in the backgrounds of the new opening of the third part of Ascendance of a Bookworm (Honzuki no Gekokujō).


Taking the blame and cleaning up the mess


Everything exploded after the broadcast of the first episode on April 4. Viewers were quick to notice the classic visual anomalies left by automated programs in the background illustrations. After an internal investigation, the studio confirmed the suspicions and showed its face. They clarified that the incident was due to serious failures in their quality management and inspection system, assuming full responsibility. To make amends for the error, they promised to completely redraw the affected art and issue a corrected version of the opening sequence starting with the second episode.


To calm the waters and clean up the reputation of its artists, WIT Studio's management was very clear: neither the art director nor the fund studio NAM HAI ART was to blame for this slip. In addition, they stressed that, with the sole exception of their former experimental project Inu to Shōnen, they are prohibited by principles from using generative AI in their productions, confirming that there are no traces of this technology in the rest of the episodes of the series.




A long season that doesn't deserve to be stained


This new installment, titled Adopted Daughter of an Archduke, is an extremely important project for the studio, as it is scheduled to air for two consecutive cours (i.e. half a year of uninterrupted broadcasting). Luckily, the controversy was stopped in time so as not to overshadow the return of Yuka Iguchi and Show Hayami, who reprise their iconic roles as Rozemyne and Ferdinand.


Under the direction of Yoshiaki Iwasaki and the character designs of Aiko Minowa, the production team promised to use this stumble as a lesson to tighten their review filters, ensuring that the magical literary world created by Miya Kazuki maintains the human and artisanal touch that fans love so much.

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