He tried to humiliate a manga book with AI and ended up selling it out in sales

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There is no doubt that there is no such thing as bad publicity on the internet. A guy in Japan thought it would be an excellent idea to photograph his hand making an obscene sign in front of an instruction book to create manga with artificial intelligence inside a bookstore. However, the image went so viral on social media that it had the complete opposite effect: the book sold out in a matter of hours in major online stores.



The book in question is titled Hajimete no AI Manga no Tsukurikata (How to Make Manga with AI for the First Time), a guide written by programmer and creator Keisuke published by Takarajimasha publishing house in late 2025. Costing approximately $11 (USD), the manual is designed as an instructional format for students and beginners who want to explore tools such as Canva and image generators to layout their own stories without having to master traditional drawing.



The publication of the photograph loaded with rejection on September 27, 2026 unleashed an avalanche of interactions and debate among users. To the author's own surprise, the enormous attention received caused the physical version of the book to sell out completely on Japan's most important e-commerce platforms the next day. Keisuke was quick to react on his networks to thank the involuntary publicity, asking traditional bookstores to place new orders with the publisher to motivate an urgent reprint while the digital version is still available.



This phenomenon occurs in the midst of a rather tense climate within the Japanese industry regarding the use of generative tools in art. Since the end of 2025, the Japan Mangaka Association together with major publishers issued official positions calling for respect for copyright and requiring adequate licenses during the training of these programs. Despite the rejection of a sector of traditional artists, several technology-assisted projects continue to gain ground in competitions and digital platforms, constantly reopening the discussion about the future of illustration in the face of technological advance.

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