Anime will continue to be by and for Japanese, they say

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In a recent interview with Nikkei , Crunchyroll 's top brass , Rahul Purini (CEO) and Gita Rebbapragada (COO), discussed the past, present and future of the anime industry, highlighting the importance of this medium remaining inherently Japanese and focused on Japanese creators , although the stories told reflect the diversity of the global audience.

©Crunchyroll


When asked about how to maximize the popularity of anime in light of previous failures, such as the Japanese government's Cool Japan project, Purini expressed support for any initiative that would increase the number of anime fans and the production of more works. However, he stressed the importance of maintaining the Japanese essence in anime: “ I believe that anime should be inherently 'Japanese' and told from the perspective of Japanese creators. We want more anime, more diverse stories, and it is crucial that Japanese creators continue to participate in them .”

This view is likely to resonate with many fans who wish to preserve a clear distinction between the themes and animation styles typical of Japanese anime and animation produced in other countries. However, the question remains as to how productions such as “The Glassworker”, a film animated in Pakistan but strongly inspired by the art style of the famous Japanese Studio Ghibli, are integrated into this vision. This film, animated by Mano Animation Studios, was very well received at the Annecy International Animated Film Festival in June.

Although Purini advocates that anime maintain its Japanese essence, he affirms that stories worthy of adaptation can come from anywhere. A notable example is the anime series based on the Korean webtoon “Solo Leveling”, which has generated great buzz and was presented by Crunchyroll to its Japanese sister company, Aniplex, due to demand from the global audience.

Additionally, Purini mentioned that Crunchyroll is always on the lookout for new trends and potential hits. “For example, we could present Indian IPs to Japanese creators and suggest that, if they turn these IPs into anime and tell a story, it could resonate with audiences in the region ,” he noted. Although manga remains the main source from which anime is born, he anticipates that there will be more experimental attempts, and assured that they are already having active conversations with their collaborators about it.

Finally, Crunchyroll has also signaled its intention to get involved in promoting short-form content through platforms like TikTok. “ Generation Alpha is a generation that creates its own content ,” Rebbapragada explained, “ so we need to think about how to get them to dedicate their time, heart and money to this .” Purini added that they are currently investigating fan response to short content such as anime music videos on the platform.

Crunchyroll remains committed to expanding the influence of anime globally, but without losing sight of its Japanese roots , a delicate balance they seek to maintain while exploring new frontiers in content creation and adaptation.

Source: XTREND NIKKEI

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