Chainsaw Man: MAPPA removes Season 1 director from new film's credits

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Chainsaw Man is once again at the center of controversy, and this time not because of the story or its animation, but because of a studio decision that has outraged fans. The new compilation project Chainsaw Man – The Compilation, currently in Japanese theaters, has attracted attention when it was found that MAPPA removed director Ryu Nakayama from the official credits, as well as the team that worked on the original season of the anime.


The origin of the controversy


It all started with the screening of the film, divided into two parts, which reviews the events of the first season of the anime released in 2022. It was director Kazuomi Koga (Uncle from Another World) himself who denounced on social networks that the credits of this compilation only recognize the animators and current managers of the project, completely erasing the work of Nakayama and dozens of artists who gave life to the series.


According to Koga, in addition to adding previously unreleased cuts and re-recording parts of the audio, Nakayama's name was removed from any mention in the credits. "This shows that anime directors do not have moral or integrity rights. A studio that does not protect its directors does not deserve trust," he wrote in a forceful message that quickly went viral among the community.


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MAPPA and a history of criticism


The reaction of fans was not long in coming, calling the move a lack of respect for the team that consolidated Chainsaw Man's popularity. In the new version, only Tatsuya Yoshihara appears as director, along with the staff in charge of the editing and adjustments for the film.


This case adds to a history of controversies around MAPPA, which had already been pointed out during the production of Jujutsu Kaisen season 2 for the harsh working conditions of its animators. The decision to remove the original credits has only reinforced the image of a problematic work environment at the studio.


The debate on recognition


By removing Ryu Nakayama and the rest of the original staff, MAPPA raises a broader discussion: to what extent do directors and creative teams have the right to keep their credit on alternate builds or versions? For some, the work should speak for itself, while others consider it unacceptable to erase the work of those who marked the visual and narrative identity of the series.

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