Mob Psycho 100 Editor Denounces Lack of Passion Among New Manga Publishers

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There is a crisis of manga publishers in Japan and it is embarrassing. Kazuaki Ishibashi, the mastermind behind the editing of gems like Mob Psycho 100 and The World Only God Knows, has decided not to shut up anymore. In a column that has set the networks on fire, the veteran exposed an unfortunate reality: the industry is filling up with professionals with perfect credentials and great social skills, but who have a fatal flaw: they do not read manga.


The crisis of manga publishers: "They see summaries on TikTok and think they know"


Ishibashi's critique is not a simple generational lament; it is a denunciation of the lack of professional competence. "I've lost count of how many times I've asked them, 'So why do you want to be a manga editor?' In my mind, I'm furious," he confessed. According to him, the "madness" and obsession of yesteryear, where editors lived and breathed ink, has disappeared.




"I want to manage an IP", the phrase that kills creativity


The problem lies in motivation. Before, an editor said "Manga is my life, nothing else matters". Today, aspirants see the position as a trendy springboard in the entertainment industry. Their answers are usually corporate and empty: "I want to support creators" or "I want to get involved with an Intellectual Property (IP)". There is no passion for the medium, only for the business.


The trap of the algorithm and the "deaf producers"


Ishibashi was brutally specific about how these young people "consume" content. He blames the disappearance of physical bookstores and the rise of digital algorithms that only show what one wants to see, closing their horizons. Even worse, many believe that watching videos of recaps, anime adaptations or viral panels on social networks counts as "reading manga".


To illustrate the absurdity, he threw out a devastating comparison: "A publisher who doesn't read enough manga is like a music producer who doesn't listen to music." Without a mental database of past works, these new editors are unable to detect plagiarism, failed clichés, or guide an author, as they lack the criteria that only thousands of hours of actual reading give you.

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