Director Shota Goshozono to leave MAPPA following completion of Jujutsu Kaisen S3

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Just as we were enjoying the absolute "Cinema" that is the third season of Jujutsu Kaisen, a bucket of ice water fell on us. The rumors that began to circulate this Wednesday suggest that Shota Goshozono, the director who practically saved the franchise and gave us a legendary Shibuya Arc, has decided to get off the MAPPA ship. According to the leaks, "Gosso" (as he is known in the otaku industry) ended his involvement with Part 1 of the Culling Game and chose not to renew his contract, leaving the future of the series in the hands of who knows who.




Did the animation fall or was it a peaceful exit?


Before you start burning down the MAPPA offices on Twitter, take a deep breath. Unlike the studio's usual dramas — where animators ask for help for exploitation — it seems that Goshozono's departure was entirely on his own terms. The report suggests that he fully complied with directing and storyboarding the first half of the season, delivering that cinematic and tense vision that we love so much, and simply decided that his cycle was over. There was no lawsuit, no funa, no scandal; just a professional closing the door.


However, the concern is real. We're right in the middle of the arc of Journey to Extinction, a saga that gets increasingly brutal with three-way fights and complex domains. Goshozono was the one who brought that "handheld camera" aesthetic and crazy angles that gave the series its identity after the departure of Sunghoo Park. If it is confirmed that he is leaving before Part 2, the fear is that the change of director will be too noticeable and we will lose that visual cohesion that made each episode feel like a Hollywood movie. For now, MAPPA hasn't said anything, but the fandom is already lighting candles.




On the legacy of "God-sozono"


Shota Goshozono is not just any director; he's the guy who took the hot potato that was Season 2 and turned it into a Crunchyroll Anime Awards-winning masterpiece in 2024. Its experimental style, mixing frenetic action with moments of awkward silence and melancholy (like everything that happened with Gojo and Geto), raised the standard of modern anime. If this is his final goodbye, he leaves behind gigantic shoes that hardly anyone will be able to fill.

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