Chinese fans criticize the lack of anime focused on female audiences

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If you've ever had a look at Chinese animation, you've almost certainly stumbled upon a 3D hero cultivating spiritual energy to become immortal while dishing out flying kicks. Although the donghua industry has grown by leaps and bounds, users in China themselves are beginning to feel a glut of the same formula repeated ad nauseam. A recent discussion on the Xiaohongshu platform ignited the debate about the huge narrative gaps that local animation houses continue to completely ignore.




The conversation laid bare a collective annoyance with the near-stranglehold of the Xuanhuan and Xianxia genres, traditional Chinese fantasy focused on the cultivation of powers and martial arts. Most participants agreed that any proposal outside that mold is ridiculously lacking. Among the strongest complaints was the overwhelming lack of productions designed for female audiences. While the character designs aren't bad, users pointed out that women rarely have the lead role or deep development, crying out for predominantly female casts where young women grow up realistically, double heroin stories, or series focused on yuri relationships.


Fans also put together a list of genres that are conspicuous by their absence in the market. From everyday stories of everyday life, sports stories full of passion and team competitions, to mature police mysteries, pure science fiction and the popular subgenre of girl bands. The lack of traditional 2D animation aimed at adult audiences, school stories that reflect real Chinese youth and classic shonen-style adventures in fantastic two-dimensional worlds were other gaps that the community urgently asks to fill.



The term donghua refers to all animation works produced in China, a market that over the past decade has seen massive growth driven by giant streaming platforms such as Tencent Video, Bilibili, and iQIYI. Unlike Japanese anime, which stands out for its enormous diversity of themes and the predominantly use of 2D drawing, the Chinese industry has focused the vast majority of its budgets on 3D CGI productions adapted from successful fantasy and immortal web novels, a highly lucrative business model but one that is now beginning to show signs of wear and tear among viewers.

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