Gachiakuta Creator Shuts Down Her Networks Due to Fan Harassment

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Massive success is sometimes accompanied by unbearable pressure that ends up breaking artists. Just when the animated adaptation of Gachiakuta was crowned one of the big winners at the recent Crunchyroll Anime Awards, its creator decided to turn off the microphone forever. Kei Urana deactivated all her official accounts just hours after her work took home Best New Series, Best Character Design, and Best Background Art, leaving thousands of fans truly bewildered in the midst of what was supposed to be a huge celebration.




A victory tainted by toxicity


The reason behind this drastic decision has a name and surname: the constant harassment of a sector of the international public. All the accumulated tension exploded when the author shared the video of a follower who imitated the hairstyle of the character Jabber using some vegetables in a comical way. Although for Urana it was a simple act of harmless humor, a group of users began to attack her accusing her of cultural insensitivity. Added to this were the incessant complaints of people who demanded that she change the skin tone of her protagonists or validate love theories invented by the community itself, a level of scrutiny that ended up exhausting the cartoonist's patience.




The final goodbye to protect his work


Before disappearing from the digital map, the mangaka left a couple of quite clear messages about her frustration. Through her profiles, she explained that the level of chaos on the internet was simply hindering her creative process, pointing out with great sadness that no matter what she said or how she tried to explain herself, her words were always useless in the face of aggression. Seeing that his attempts to maintain a close and friendly relationship with his audience only generated headaches, he chose to close that door definitively and say goodbye so that he could concentrate one hundred percent on the future of the manga.


This unfortunate situation reminds us of the enormous damage that excessive obsession can cause on Japanese creatives, who often end up distancing themselves from their own audience to protect their mental and artistic stability. Knowing that the demands of foreign spectators tend to become more and more aggressive when a work gains worldwide popularity.

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